The Casio CZ-101: they made about 68,000 of them, and sold them for £395 each. Preview samples from the Casio CZ-101, download owners manual, reference guides, service notes, patch lists and other files for free.

Coming from Casio you might assume entry-level and that just about sums up the CZ-1000. Fortunately it's become known for having a surprisingly good 8-stage envelope. It also uses Phase Distortion (PD) synthesis so it is quite capable of some cool digital/analog sounds! PD is Casio's own take on digital synthesis from the mid-eighties and is found in all of their CZ series. You basically modify digital waveforms (sine waves) to create various sounds.

It can create wild new sounds, notably percussive sounds. But it's not too easy to program if you don't know much about waveform theory and design. Three sets of 8-stage envelope sections are used to modulate your sounds extensively. The first is used to modify the DCO pitches over time. Another 8-stage envelope section in the DCW is used to modify the Phase Angle over time (like filtering). Finally the DCA amplifier also has an 8-stage envelope to modify the volume of sounds over time. For further tweaking the CZ-1000 employs some surprisingly analog effects.

Four types of Vibrato make up a simple LFO-type section with triangle, square, ramp up or down waveforms as well as rate, depth and delay settings. Portamento adds that classic glide effect from one note to the next. Canterville Ghost Movie 1996 Firefox. Double up on the oscillators with 4-note polyphony. Built-in noise and ring modulation. It's also MIDI equipped with 4 monophonic multitimbral parts. However, with only 32 patches (16 preset, 16 user) storage is a bit slim. The CZ-1000 is a with full sized keys.

It is succeeded by the and which really fatten up the synth and provide more professional features and looks. However the CZ-1000 is without a doubt the best low-cost means of truly useable sounds for pads and lead synth sounds. It was used by Vince Clarke and Eat Static. Related Forum Topics.

GForce’s Jon Hodgson has been a long-term fan and still owns a CZ-101 and a VZ-8 (which uses a very different synthesis method to the CZ series). Here’s his take on the CZ. Subtractive Digital Synthesizers are a silly idea, the classic Moog 4-Pole filter needs 10 transistors in analogue form - A 4-Pole audio-rate digital filter takes hundreds. Add a couple of oscillators and you're probably into thousands, and that's before you even start trying to do the cool stuff, like the distortions that make real analogue filters sound so nice, or oscillator sync. These days processors with millions upon millions of transistors sell for very little, so we can implement these very inefficient designs if we want the sound, but back in the early eighties things were very different. Download Soul Soup Samples Rar Software on this page.

The processing power required to implement even a monophonic digital subtractive synth would have been prohibitively expensive (not so much home recording as sell-your-home recording), so manufacturers needed a different approach. The most famous and successful was Yamaha's FM synthesis. Six sine waves (four on the DX9), modulating each other according to various algorithms. The success of this technology was overwhelming, and was not seriously challenged until the end of the eighties with Roland’s D50, and Korg’s M1. There was another contender though. When Casio were looking for a solution FM synthesis (actually it should have been called PM, since it was phase modulation rather than frequency) was almost right, there were only three things wrong with it: • It was still quite complex to implement, and therefore quite expensive to implement.